Monday 29 August 2011

'Legally Blonde', Theatre Royal, Glasgow, 27/8/11

Whilst 'Love Never Dies' sadly did, I enjoyed my evening watching the touring production of 'Legally Blonde' which is certainly a fun night out. The plot is well known and the show moves at a fair ol' pace and though its score isn't the most original out there it certainly boasts the odd catchy tune with funny, if obvious, lyrics.


The show itself is a stripped down version of the London production, meaning that some of the more elaborate set pieces are dispensed with and others simplified. Although I did miss the 'Delta Nu' sorority house, it really made little difference apart from making the show start a litter slower (the quick set/costume changes in the original production, e.g. from outside to inside the house, help give the impression that the show is racing along from the outset).
The company excelled and exuded incredible energy.
Most were younger than the typical London cast which is, perhaps, more appropriate since the show is set around Harvard University.
Veteran Dave Willetts was authoritve of stature and voice as 'Callaghan' whilst Faye Brookes sparkled as 'Elle' clearly relishing each oppurtunity given to the character. Iwan Lewis was a charming, sure-voiced and handsome 'Emmett' and the creation of his relationship with 'Elle' was pitched well.


The laughs were played well by a cast more than comfortable with their roles but as comedy relief, within a comedy, Liz McClarnon was excellent as 'Paulette'. Though she may appear a tad young in the role that minor fact is quickly overlooked by just how good she is. She is funny, witty and sings much better than you expect her to. It's a good thing too because she was threatened to be upstaged by a camp employee of the beauty salon who made the most of his hips whilst onstage. 'Paulette's' love interest 'Kyle' was also well played by Lewis Griffiths and the two actors played well, and funnily, off each other.


Neil Toon as 'Warner', the catalyst for 'Elle's' foray into law was a considered performance and it was easy to see how 'Emmett' could eclipse him in 'Elle's' affections.
A good, funny, energetic cast together with a neat script and plunky score leads to a great night out.
Indeed, I think there are many a cast member in this production who would be a benefit to the London production.

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